Tag Archives: kenya

Harambee Means “We Are One”

“Harambee” is the motto of post-Independence Kenya. The country was ceded from the British Empire in 1963 after a period of social unrest, which included the Mau-Mau Rebellion. A leader in that uprising was Jomo Kenyatta, who became the new nation’s founding president. His son Uhuru is the outgoing incumbent president, defeated by William Ruto in the election, just concluded last August.

Harambee – We Are One. E Pluribus Unum – One from Many.

May it be ever so!

He went as a passive observer. He stayed when they showed him how to live.

When I read some more of the Ong’wen book, I discovered a delicious (if troubling) irony. In the early years of Independence, harambee came to mean voluntary labor or donations for grass-roots projects. Then it became dues for electing local politicians. Now it’s a synonym for all manner of mandatory political bribes, extending to the highest levels.

Yes, that’s a side of Harry, too.

 

Book Review: A Prominent Kenyan’s Memoir and Daring Exposé

Just after the recent Kenyan national elections, a disruptive and revelatory book appeared: Stronger Than Faith: My Journey in the Quest for Justice in Repressive Kenya – 1958 – 2015 by Oduor Ong’wen. Just who is this author, and how does his life fit the provocative description in the book title? Prof. Yash Tandon, respected Ugandan policymaker who is renowned for a career opposing the viciously oppressive Idi Amin, wrote this about Ong’wen in the Introduction:

… In 2015 he [Ong’wen became] … the Executive Director of Orange Democratic Movement (ODM). The ODM is a centre-left political party – a grassroots people’s movement which was formed during the 2005 Kenyan constitutional referendum campaign and led by Raila Odinga, whose foreword to this book aptly captures the twists and turns of Kenya’s democratic struggles, at the centre of which Oduor was.

Do powerful interests in Kenya want to suppress this book? Why did it suddenly appear after the national elections? Is its fate safer now? Or potentially more disruptive?

Most striking in this voluminous memoir is Chapter 28, “The New Eating Chiefs,” which alleges more than twenty power-grabs, public thefts, and scams on Kenyan taxpayers by the outgoing administration. Lest these protests seem fake news promulgated by the defeated party, note that The Standard – the nation’s most respected newspaper in Nairobi – is serializing the book in its current issues – perhaps to counter fears that Ong’wen’s version of history will soon be suppressed by entrenched interests.

Kenyan politics – and geopolitics – interest me because before the Covid outbreak I was a resident in Kenya for two years, having gone there to support my wife’s work in wildlife conservation and child welfare. This residency occurred after years of trips between our US home and various ecotourism venues in East Africa.  Just before our decision to move there, the previous national election had taken place in 2017. The principal opponents for president were Uhuru Kenyatta, son of the first president and founder of the republic Jomo Kenyatta, and Ong’wen’s colleague Raila Odinga. Raila (Kenyans often use given names rather than surnames, even in formal writing) is a veteran politician with a reputation as a populist leftist. Uhuru is seen as more conservative and backed by entrenched interests. Uhuru, the incumbent, and Raila have been contending with each other for decades. Accusations of voter fraud have been common in Kenyan elections, but when Raila lost to Uhuru for the second time in 2017, concerns about corruption exploded as violence in the streets. Raila insisted so vehemently that the process was rigged that he held an “alternative swearing-in ceremony” in a public park, attended by a huge crowd.

If some of this sounds familiar, bear in mind that this cockeyed scenario in Kenya took place three years before the disruptive events of the 2020 US elections – well before many of my countrymen and I thought such events were possible here.

Parallels, although tempting, between US and Kenyan politics are not straightforward. Far from being an exemplar for our election-denying past president, in political philosophy, Raila might have been viewed as Kenya’s Bernie Sanders. And to make matters perhaps more confusing to Western observers, in 2018, after a year of prolonged disputes compounded by longstanding tribal unrest, Uhuru and Raila came together in what has since been termed “the Handshake Deal.” Besides affirming peace between the parties, the deal seemed to make his rival Uhuru’s new right-hand man – so much so that Uhuru must have agreed to back Raila for president in the next national election – which is just what he did in the one concluded in August.

So Raila was looking like he’d made a deal of either convenience or necessity with the establishment. His populist messages softened, but they didn’t disappear. Meanwhile, after another year, the third man at the top of the government – Uhuru’s deputy William Ruto – broke away from the ruling Jubilee Party and declared himself an independent.

Ruto, himself a political veteran who had previously held cabinet posts, had initially been groomed by Daniel arap Moi, the country’s long-serving president from 1978 to 2002, having served since Independence in 1963 as Jomo’s vice president. To this day, Moi is widely regarded by Kenyans as their most unashamedly corrupt leader. But in joining Uhuru’s government, Ruto disassociated himself from Moi.

In this last election, Ruto squared off against Raila. Ruto won by barely a percentage point. Raila once again cried fraud, but he nevertheless conceded after the Kenyan high court ruled his objections had no basis.

Raila recently pointed the finger at those responsible for his defeat:

Our election was not stolen by [Ruto’s coalition] Kenya Kwanza. It was an international conspiracy involving Britain and the United States. A former president of the USA who many Kenyans admired greatly was on [the] Smartmatic Board. (Raila Odinga quoted in Kenyan Lyrics, October 8, 2022).

So – here we are today – Raila is still an active voice in Kenyan politics and head of the Orange (ODM) party of which Ong’wen, author of this confessional book, is the director.

One might assert that Ruto’s hands are not clean. Since his swearing-in as the nation’s new chief executive, Ruto is acting like a reformer. Maybe he is one. Perhaps significantly, politicians from both the Moi and Kenyatta families lost their seats in Parliament.

But now Raila continues to spin the next installment of the conspiracy story. He keeps insisting that the vote was rigged against him. He further accuses Western powers of favoring Ruto over him, presumably because of Raila’s prior leftist positions. Raila is telling Kenyans that the world’s big-money interests want to manipulate the future of this fast-emerging economy, and he stands instead for regional control of resources and investment.

All during my stay there, I heard Kenyans in the coffee shops, taxis, markets – and especially when tongues let loose in the bars – repeat, “Corruption is the mother of Kenya.”

Now I live once again in Southern California, having returned just prior to the Covid outbreak.

Then in 2019, I began to look at the US political scene with Kenyan eyes. All the while, I have marveled at how fast economic development in Kenya is progressing. (And this is a factor in the persistent human-animal conflict that threatens the natural world everywhere and the health of the planet.)

I have speculated and still believe that Kenya is poised to become the Silicon Valley of East Africa.

With Ruto in place and the elections having been settled this time peaceably, I’d expect international investment there to boom. Apparently, the Biden administration concurs, as evidenced by the appointment of Meg Whitman, past CEO of Hewlett-Packard, as ambassador.

A fictional story of love, intrigue, conspiracy, and corruption in Kenya.

I Found My Inner Child in My Third Eye!

This little guy’s name was Jerry and, as I recall, he was joyful a lot of the time. There were stresses in his young life, but they’d evaporate on encountering the next delight.

He was curious. He was studious. He was a chatterbox. He was a showoff.

He had a loud voice that became louder when he was excited. As he grew older his teachers rebuked him because that voice could be heard above all others in class.

So as the tween became a teen, his voice softened – so much so that at times adults had to prompt him to speak up.

It was years later he found his voice.

Watch for the audiobook release of Harry Harambee’s Kenyan Sundowner in January.

Thinking About Thinking #43: Sweet Bird of Not So Young Anymore

Photo by Georja Umano

What would you say to this surprise visitor?

Some of you who know of my recent adventures might think this candid shot was taken in East Africa. But it’s actually from a bit further back on a trip to the rainforest in Ecuador near the headwaters of the Amazon River.

I really don’t know what species this critter is, nor whether it’s male or female. Its relatively drab color might suggest it’s a mama, but its aggressive, perhaps territorial, move seems characteristically male.

Perhaps I should have asked whether it takes cream or sugar with its coffee.

Or whether “Nevermore!” (in Spanish?) might be the word of the day.

Clicking on the cover will take you to the Amazon Kindle catalog page. It’s also available lots of other places, including EPUB and paperback.

Books Out of Africa – BookFest Panel Discussion

Books Out of Africa Panel screenshot YouTube

Click the image to watch on YouTube

Watch it on YouTube!

Books Out of Africa: Bookish World Tour

The continent that gave birth to humanity delivers some of the most provocative and moving stories in our world. From non-fiction to fiction to poetry, with invigorating and moving perspectives from an array of authors and literary professionals, this panel discussion aims to create connections and stimulate imaginations. Join these literary leaders who tell the tales of the people, the place, and the continent that is Africa.

Dr. Edward Bynum, Ph.D., ABPP, Author of several books including the latest, Our African Unconscious: The Black Origins of Mysticism and Psychology, clinical psychologist, and former director of the behavioral medicine program at the University of Massachusetts Health Services. https://www.innertraditions.com/autho… Paulino Chol, Author of Leading the Lost Boys, the true story of leading 700 boy prisoners in South Sudan to freedom, and PhD student in management and homeland security at Colorado Technical University. https://machfoundation.org/

Gerald Everett Jones, Author of the award-winning Harry Harambee’s Kenyan Sundowner and Evan Wycliff Mystery series and host, for the Get Published! Podcast. https://geraldeverettjones.com/

Useni Perkins, American poet, playwright, activist and youth worker, known for his poem “Hey Black Child”, and author of the newly released Kwame Nkrumah’s Midnight Speech for Independence from Just Us Books. https://blackchildjournal.com/

Moderator: Celeste Duckworth, Author, President of Vertikal Life Magazine, and host of A Taste of Ink LIVE Radio Program. https://vertikallifemagazine.com/

The BookFest Web: https://www.TheBookFest.com/ Books That Make You Web: https://www.booksthatmakeyou.com/ FaceBook: https://www.facebook.com/BooksThatMak… Instagram: https://www.instagram.com/books_that_…

NYC Big Book Awards Harry Harambee Silver in General Fiction

(October 27, 2021, Santa Monica, CA) The 2021 NYC Big Book Award just recognized Harry Harambee’s Kenyan Sundowner by Gerald Everett Jones in the highly competitive category of General Fiction as a Distinguished Favorite. This is the third award Jones has received for that novel, as well as the third he’s received for this literary fiction and two mystery-thrillers in this and prior NYC Big Book competitions.

Will it be politically disruptive? Kenyans vote next year.

Ten awards overall in the last two years include both Winner (Gold) and Distinguished Favorite (Silver) for his Evan Wycliff mysteries in the 2020 NYC Big Book, which accepts entries from not only indie authors and small presses but also the major publishing houses (the “Big Five”). Of his mysteries, the first in the series, Preacher Finds a Corpse, also won an Independent Press Award (IPA) Distinguished Favorite, Best Literary Fiction in the National Association of Book Entrepreneurs (NABE) Pinnacle Awards, and a Finalist Eric Hoffer Award. Preacher Fakes a Miracle won an NYC Big Book Silver in the same year, winning Jones the top two slots in the Mystery category. Previously, Harry Harambee’s Kenyan Sundowner was awarded Best Literary Fiction from NABE and Bronze in the Florida Association of Authors and Publishers (FAPA) President’s Awards in Adult Fiction.

Awards in 2020 included an Independent Press Association (IPA) Distinguished Favorite for Clifford’s Spiral in Fiction, as well as Eric Hoffer Finalist in Business for Jones’s nonfiction textbook, How to Lie with Charts.

The NYC Big Book competition is judged by experts from different aspects of the book industry, including publishers, writers, editors, book cover designers and professional copywriters. Selected award Winners and Distinguished Favorites are based on overall excellence.

Loosely based on Jones’s experiences living in Kenya for two years, Harry Harambee’s Kenyan Sundowner is the story of Harry Gardner, a lonely widower from Los Angeles, who makes the challenging transition from tourist and passive observer to committed resident. It’s an emotional story of expat intrigue in rapidly developing East Africa, reminiscent of The Heart of the Matter by Graham Greene and The Constant Gardener by John le Carré.

Desmond Boi, editorial writer for The Standard newspapers and Citizen TV in Nairobi has gone so far as to suggest that the book could be disruptive – in a positive way – among Kenyans. He writes: “Harry Harambee’s Kenyan Sundowner is a captivating, witty read that explores the sociopolitical climate in Kenya in an honest way that is both entertaining and thought-provoking. This is a clear and compelling outlook that realistically paints Kenya while exploring glaring issues that are a bane to the country. When Harry decides to stop being a bystander who lets other people decide his fate, it’s noteworthy. This can be equated to Kenyans finally deciding to take responsibility rather than just going with the flow, waiting for decisions that affect their lives to be made for them. And it can be done without selling one’s soul in the process and leave a legacy and a better country worthy of its name.” (Kenyan general elections are slated for August of 2022, and campaigning is already underway.)

2021 was a record year for the NYC Big Book Awards due to the high level of quality and diverse books submitted. Again in 2021, the competition received book submissions worldwide, including great submissions from journalists, well-established authors, small and large press as well as first time indie authors who participated in high numbers. Entries were from Africa, Asia, Australia, Europe, and North America. Cities such as Bangalore, Edmonton, London, Los Angeles, Melbourne, New York, Seattle, Singapore, and Vancouver were representative among the entries. Winners were recognized globally from Australia, Canada, England, Germany, Lebanon, Queensland, and the United States of America.

Among NYC Big Book entries, some awarded books were published by The American Bar Association, Friesen Press, Gatekeeper Press, Greenleaf Book Group, Joggling Board Press, Story Merchant Books, and WildBlue Press. Quality children’s publishers such as Barefoot Books as well as Mango and Marigold press were awarded. Independent presses such as Brill, Goff Books, Koehler Books, Llewellyn Publications, ORO Editions, Routledge Publishers, Rowman & Littlefield, and She Writes Press took both Winner and Distinguished Favorite awards. AuthorHouse, IngramSpark, KindleDirect, and SDP Publishing were among the self-publishing platforms. Lastly, Hachette Books, MacMillan, Penguin Random House were among the large publishers that entered.

“We are elated to highlight these authors’ books, recognize their excellence, and share their achievements.” said awards sponsor Gabrielle Olczak. “We look forward to showcasing these titles to a larger audience.”

Gerald Everett Jones remarked about his win, “I’m pleased to receive this recognition for ‘Harry’s’ story, especially in competition with the Big Five. My small press LaPuerta Books and Media has published all eleven of my novels, and I’m thrilled by the opportunities for self-expression that new media platforms provide. Storytelling is a unifying force among people and cultures, and I urge both writers and readers to stay focused on that bright, hopeful spot.”

Gerald Everett Jones is a freelance writer who lives in Santa Monica, California. He is a member of the Writers Guild of America, the Dramatists Guild, Women’s National Book Association, and Film Independent (FIND), as well as a board member of the Independent Writers of Southern California (IWOSC). He holds a Bachelor of Arts with Honors from the College of Letters, Wesleyan University, where he studied under novelists Peter Boynton (Stone Island), F.D. Reeve (The Red Machines), and Jerzy Kosinski (The Painted Bird, Being There). His author website is geraldeverettjones.com, and he hosts the GetPublished! Radio podcast.

Harry Harambee’s Kenyan Sundowner is published by LaPuerta Books and Media and available in trade paperback and ebook formats from booksellers worldwide, including Amazon, Barnes & Noble, Apple Books, Google Books, and Rakuten Kobo.

Third award just announced – NYC Big Book Distinguished Favorite in General Fiction.

Ready to Escape to an African Adventure? (Shared from Article Rich)

Photo by Gabriella Muttone

This interview appeared recently on Article Rich and covers some of the in-country experiences that inspired the fictional story of my recent novel Harry Harambee’s Kenyan Sundowner. In this story, a middle-aged white widower from Los Angeles travels to Kenya. His character arc and challenges proceed from being a tourist and passive observer to a resident who must decide how much he’s willing to commit to his new community.

Click here to read the interview.

And if you can’t travel to Kenya just now, read the book!

Gerald Learns About Living Vertikal

On this podcast episode of A Taste of Ink Live, I learn host C. Stene Duckworth‘s vision for Living Vertikal and her initiative Vertikal Alliance International (vertikalalliance.com). It’s more than just breathing in and out and putting one foot in front of the other! We talk about the challenges of making the transition from tourist to resident in East Africa, a key theme of my novel Harry Harambee’s Kenyan Sundowner. We compare and contrast politics and ethnic strife in the U.S., South Africa, and Kenya.

It’s an hour of spirited conversation. Click here to listen!

The Sociopolitical Climate of Kenya: My Interview with Rose Colombo

Thinking About Thinking – On My Experiences Living in Kenya

I discuss wide-ranging issues about corruption, love, and loyalty with Rose Colombo, host of the Blogtalk Radio show “Colombo Chronicles.” And I explain how these themes are woven through my novel Harry Harambee’s Kenyan Sundowner.

What parallels to current events in the U.S. can we see in Kenya’s recent political history? What’s happening there now that deserves close attention? For one thing, the country is trying to rewrite its constitution at the same time candidates are declaring for the next general election in August of 2022.

What cultural issues in Kenya might be surprising to American or European tourists?

How do “unintended consequences” of aid programs and charities often cause results in-country to go awry?

Listen Now

As he transforms from passive tourist to resident, Harry must decide how much he’s willing to commit. He wonders whether he’s being played. Then he wonders, ‘Do I mind?’

Thinking About Thinking #34 – Cutting for Stone – Would you trust your barber to cut you open?

I have to start by clearing up the confusion I had with Abraham Verghese’s title, Cutting for Stone. As the book mentions several times but never precisely explains, the reference is to the Hippocratic Oath, “I will not cut for stone.” However I had to look it up in Wikipedia to find the meaning, which is probably apparent to medical professionals. It was a prohibition from operating on stones, or calcified deposits, in the kidney or bladder. The ancient Greeks apparently thought surgeons should leave this menial procedure to barbers. The modern meaning seems to be that doctors should recognize they can’t specialize in all areas. But I’d say closer to the original intent, and perhaps more relevant to today’s medicine, would be: “I won’t perform treatments just for the sake of making money.”

Okay, I got that off my chest!

The title has at least a double meaning. The story flows from the unlikely and surprising conception of a pair of twins by an English surgeon, Thomas Stone, and an Indian-born nun, Sister Mary Praise, in Ethiopia in the mid-twentieth century. The story is narrated by one of the twins, Marion, who eventually becomes a surgeon himself.

Verghese is likewise a practicing surgeon, now living in the U.S., who grew up in Ethiopia. His account seems autobiographical, but much of it is invented, as he explains in detail in his Acknowledgments.

If I say too much about this book, I’ll have to throw in a lot of spoilers, and suspense has its delicious rewards in this leisurely paced plot. So I won’t. Suffice it to say, I believe your patience with Verghese will be rewarded.

I heard him speak at a book signing at an Ethiopian restaurant in Los Angeles, and he mentioned that he admired W. Somerset Maugham. This book does remind me of Cakes and Ale, in more ways than one, including the crafting of its sentences. (Maugham also studied medicine.) It’s not the page-turning, plain-vanilla, cliffhanger prose of Tom Clancy or Dan Brown. It’s thoughtful, colorful, and literary. Slow down and enjoy it.

This novel is about family, community, betrayal, parental love and estrangement, sibling bonding and rivalry, personal bravery, not-so-uncommon acts of kindness, the heroic practice of medicine, suffering and compassion–and irony.

Lots of irony.

Cutting for Stone is selling well, so lots of other people must think it’s worthwhile. The story doesn’t read like a movie plot, but neither does The English Patient. Yes, this book is that big–in its scope and its ambitions, and in the magnitude of its achievement.

Intrigue on the white sands of the Indian Ocean. Two book awards this year in literary fiction.