Is art forgery a victimless crime? The owners of paintings valued in the millions of dollars are either high-net-worth individuals or or cathedrals or museums. And, yes, international mobsters and oligarchs have been rumored to use them as mediums of exchange in drug deals and money-laundering schemes. Some would argue that a truly masterful forgery, aside from being a fraud, actually preserves cultural history and works that might otherwise be lost or deteriorated. That is – for the museum patron or the visitor to an aristocratic household – what’s the difference in the thrill of seeing it?
What do you think?
Gruber’s writing style has a voice, and right away that puts him at the top of my list. Besides the plotting, which goes back and forth in time in ways I’ve never experienced in a book, The Forgery of Venus fascinates in two other ways – its meticulous description of painting technique and its depiction of mental illness. Peter Carey’s Theft, which I also enjoyed, also has these two elements. The neurological issues are reminiscent of another masterpiece novel, The Marriage Plot by Jeffrey Eugenides, which I reviewed in Thinking About Thinking #2.
The protagonist of this novel is Chaz Wilmont, an accomplished fine arts painter. He’s a brilliant technician but insecure about his creativity. His insecurity is rooted in the emotional abuse he received from his father, who was also a famous painter and intensely jealous of his son.
Wilmont is also pretty much a failure in his personal relationships. He’s divorced two wives, and he’s not a particularly attentive father to his children. Then a bizarre thing happens. Chaz volunteers as a patient in a pharmaceutical research study. He’s given a psychoactive drug that induces hallucinations. But in Chaz the effect is unique and disturbing. He seems to bi-locate physically as well as mentally into another person’s body at another time in history. He finds himself living in Madrid in the 1650s. Having assumed the identity of Diego Velazquez, one of the most supremely gifted painters who ever lived, in this past life Chaz learns all Velazquez’s techniques, one brushstroke at a time.
Back in the present day, international criminals discover Wilmot’s talent and blackmail him into forging a Velazquez painting that has been missing for centuries.
I find two things remarkable about this book: First, perhaps because Gruber is married to a painter, his descriptions of painterly techniques are vivid and detailed. Second is the theme of altered mental states. As Chaz shuttles back and forth between the centuries, he begins to wonder, What is reality? What is personal identity? How can you be so sure you are the person you think you are? And what difference would it make if your favorite painting by an old master just a masterful forgery?
Gruber also hints, as other writers of art-history novels have, that many great painters of yesteryear made a living forging the works of their predecessors as they studied and then copied their techniques. A painting the experts think is a Titian could be from Rembrandt’s workshop of apprentices, for example.
My mystery-thriller about art history, which centers on a scandal rather than a forgery, is Bonfire of the Vanderbilts.
