Category Archives: Preacher Finds a Corpse

Physicist Says Thought Will No Longer Be Possible – Thinking About Thinking #45

A picture of a starry sky over mountains with the text "What remains of consciousness at the end of the universe?"

Here’s my book review of Until the End of Time by astrophysicist Brian Greene.

Book Cover for Brian Greene's Until the End of Time. The book cover shows a starry night sky over a pine forestIt’s the best survey of current theories in cosmology that I’ve read. But it’s also the most unsettling to someone like me who tries continually to reconcile science and theology.

Fans of my Evan Wycliff Mystery series know that Evan is similarly conflicted. A farm boy from southern Missouri from a devout Baptist family, he thought he’d go into the ministry. But then he studied at Harvard Divinity, where learning more about the history of Christianity and its hypocrisies shook his faith. Then, seeking answers to the big questions instead in science, he enrolled in postgrad astrophysics at MIT. He dropped out of that program, too. Discouraged and heartbroken for other personal reasons, Evan returned to farmland roots, where he got occasional work as a guest preacher and a credit investigator for the local car dealer.

Evan is a preacher who some days is an agnostic. And he’s an amateur sleuth because he has investigative skills. People in his community come to him with problems that no one else has any interest in solving.

So – no surprise – from the standpoint of intellectual curiosity, Evan and I are a lot alike.

Two conclusions in Greene’s book would startle us both. First, there can be no such thing as eternity. The universe is about 14 billion years old and has more than double that time before it expires. But, according to Greene, expire it will – expanding and disintegrating into cosmic dust, then expanding more until particles are so far apart they can’t form any solid mass – no galaxies, no stars, no planets.

Now, from the viewpoint of the philosopher or mystic, eternity is not simply a long, long time. Or even a timeline that has no end. It’s a state of being. Time-less – an incomprehensible notion for the human mind.

But more disturbing still is Greene’s assertion that – long before the universe expires – thought itself won’t be possible. Thought in humans is biochemically supported electrical activity in the brain. When the cosmos becomes diffuse, no such complex structures will exist.

Book cover for The Feeling of Life Itself by Christof Koch. The cover is an abstract illustration of gray waves with the title displayed in red text.Now, unaddressed in Greene’s survey is the question of whether consciousness and thought are aspects of the same physical process. Some scientists, including Christoph Koch, have tried to explain consciousness as super-complex electrical activity in the brain. Koch has found no such explanation. He theorizes that computers, no matter how complex, can never be conscious. In his book The Feeling of Life Itself, at the conclusion he can only guess that consciousness is some as yet unmeasurable, fundamental property of the universe, a feeling shared by all living things, in various degrees depending on the complexity of their brains. For rigorous scientist Koch, it’s little more than a guess.

Where is God in all this? Our religious traditions hold that God is pervasive consciousness and eternal. Another hypothesis of Greene and his colleagues is the so-called godless universe. That is, the dual processes of entropy (diffusion) and evolution (ever-increasing complexity) are sufficient to explain everything that exists.

Which brings us to the most elusive question of all, one that philosophers have debated for centuries, which also has the scientists stumped:

Why is there something rather than nothing?

The paperback copy of "Preacher Raises the Dead" on a yellow background with text reading "Preacher Raises the Dead: An Evan Wycliff Mystery. The third book in the series"

Why Is James Bond Still a Thing? #MeToo – Thinking About Thinking #44

Here’s my book review of The Long Lavender Look by John D. MacDonald. I believe I’ve read all of his Travis McGee books. Each has a color in the title. Trav lives on a houseboat he won in a poker game in Fort Lauderdale. He’s a salvage expert. He goes after missing boats, money, or wives. He always keeps half of whatever he finds. The baddest guys try to stop him because they covet the same things.

Travis is very much a Sixties hero with parallels to James Bond. Like Bond, McGee is a garbage collector of the vile detritus left behind by the world’s evil geniuses and idiotic criminals. And also like Bond, Trav treats women badly and assumes they like it. And as in the Bond stories, the beautiful women he loves too much end up dead, usually horribly so, at the hands of the elusive monster du jour. Revenge then adds to his justification for giving back as bad as his girlie got – or worse.

As an education in the underside of Florida real estate schemes and political corruption, MacDonald’s books are fascinating, unexpected discoveries. You also get a strong dose of macroeconomic theory anytime McGee engages his neighbor Meyer Meyer to help him understand the intricacies of bribing politicians or laundering money.

But what strikes me as I pick up this book again is the depth of the cruelty MacDonald conjures. It’s really ugly, voyeuristic, more shocking than the scummiest story In today’s news,

But if it thrills you to see powerful bad guys bite the dirt, Travis McGee is your man.

On sale paperback and Kindle March 1, 2022.

How to Write an Award-Winning Mystery – I surprise even myself!

In writing the Evan Wycliff Mystery series, I’ve surprised myself many times over. It will therefore surprise me if readers find anything in the plots predictable. I resolved at the outset to let my subconscious self do most of the work. And after the stage was set and the characters stepped onto it, many times they told me where they wanted to go and said whatever they wanted to say. I haven’t always worked like this. Years ago, when I wrote mainly technical and business nonfiction for publishing houses, I wrote to strict outlines, and I sought approval from in-house editors if ever I chose to depart from the agreed plan.

When I set out to write Preacher Raises the Dead, I had the notion of describing both near-death experience (NDE) and coma. In the beginning, I didn’t know who would be stricken or how those subplots would turn out. Many other plot elements were likewise uncertain right up until the words flowed into the manuscript draft, including Evan’s core religious beliefs and consequences of Luke’s schizophrenia and Melissa’s epilepsy. The reappearance of Stuart Shackleton was a complete surprise until Evan saw him again that fateful day in the courtroom. He and I should have known we weren’t done with him yet!

Evan Wycliff #1 is avaialble as an audibook from Audible and booksellers worldwide.

 

Press Release: New Mystery Novel ‘Preacher Raises the Dead’ Deals with Real End-of-Life Controversies

LaPuerta Books and Media announces the anticipated March 1 release of Preacher Raises the Dead, the third novel in Gerald Everett Jones’s multiple-award-winning Evan Wycliff Mysteries. The first two books in the series, Preacher Finds a Corpse and Preacher Fakes a Miracle, won Gold and Silver respectively in the 2020 New York City Big Book Awards – grabbing the top two slots in the mystery category that year and besting entries from not only indies but also the Big Five publishing houses. As well, the series has won three other awards to date, including kudos from the National Association of Book Entrepreneurs, the Eric Hoffer Awards, and the Independent Press Awards.

When readers meet Evan Wycliff in the first book, he’s a lapsed divinity student from a devoutly Southern Baptist family, but he’s also fascinated by astrophysics. After forsaking both Harvard Divinity School and MIT, he returns to his farm roots in Southern Missouri. When he’s not serving as a guest preacher, he’s using his investigative skills to track down neighbors who have fallen way behind on their auto loans. Bachelor Wycliff lives in a modest trailer, and some evenings he thinks his only friend is Jack Daniels. Although he might not be an agnostic, he’s certainly a fretful believer who has serious doubts.

In these novels, Evan gets involved in criminal plots and intrigues as an amateur sleuth because sometimes he’s the only clever fellow in this small rural town who is willing to help after the authorities have given up.

In Preacher Raises the Dead, Evan reluctantly takes on the role of full-time minister and walks straight into more responsibility and trouble than he can handle. He attends to near-death experience (NDE), late-stage dementia, long-term coma, and consequences of the pandemic. His old nemesis investment banker Stuart Shackleton is back – and claims to be converted. Shackleton’s money sustains a critical-care medical breakthrough, the building of a new church, and a career boost for Evan as a celebrity evangelist. Are these thrilling transformations part of a divine plan, or has Evan sold his soul?

Author Gerald Everett Jones explains how his writing process generates plot twists and surprises: “In writing these mysteries, I’ve surprised myself many times over. It will therefore surprise me if readers find anything in the plots predictable. I resolved at the outset to let my subconscious self do most of the work. And after the stage was set and the characters stepped onto it, many times they told me where they wanted to go and said whatever they wanted to say. I haven’t always worked like this. Years ago, when I wrote mainly technical and business nonfiction for publishing houses, I wrote to strict outlines, and I sought approval from in-house editors if ever I chose to depart from the agreed plan.

“When I set out to write Preacher Raises the Dead, I had the notion of describing both near-death experience and coma. In the beginning, I didn’t know who would be stricken or how those subplots would turn out. Many other plot elements were likewise uncertain right up until the words flowed into the manuscript draft, including questions about some of Evan’s most basic religious beliefs. His philosophy of life is bound to be controversial. The very thought of a practicing minister who is too often an agnostic will raise eyebrows. But do churchpersons have occasional doubts? I don’t doubt it.”

Commenting on Jones’s talent for surprising the reader, novelist John Rachel, author of Blinders Keepers and The Man Who Loved Too Much, writes in his review ofPreacher Finds a Corpse: “This is an excellent read from such an engaging storyteller! It really sucked me in. That last page did cause a triple-take, quadruple-take, and whatever comes after, up to about eight. Jones is definitely one of my favorite authors.”

Likely questions from readers about Preacher Raises the Dead might be: “Should churches take views on the pandemic – or on political parties or candidates? Are near-death experiences physical or metaphysical? How do ‘right to die’ laws affect treatment of patients in long-term coma?” And, perhaps most telling of all: “Can an agnostic be a practicing minister?”

Preacher Raises the Dead is available for pre-order now in trade paperback from booksellers worldwide and in Kindle ebook format from Amazon. Book release is set for Tuesday, March 1, 2022.

CONTACT INFORMATION
Lu Ann Sodano
La Puerta Productions
770-356-5030

Books Out of Africa – BookFest Panel Discussion

Books Out of Africa Panel screenshot YouTube

Click the image to watch on YouTube

Watch it on YouTube!

Books Out of Africa: Bookish World Tour

The continent that gave birth to humanity delivers some of the most provocative and moving stories in our world. From non-fiction to fiction to poetry, with invigorating and moving perspectives from an array of authors and literary professionals, this panel discussion aims to create connections and stimulate imaginations. Join these literary leaders who tell the tales of the people, the place, and the continent that is Africa.

Dr. Edward Bynum, Ph.D., ABPP, Author of several books including the latest, Our African Unconscious: The Black Origins of Mysticism and Psychology, clinical psychologist, and former director of the behavioral medicine program at the University of Massachusetts Health Services. https://www.innertraditions.com/autho… Paulino Chol, Author of Leading the Lost Boys, the true story of leading 700 boy prisoners in South Sudan to freedom, and PhD student in management and homeland security at Colorado Technical University. https://machfoundation.org/

Gerald Everett Jones, Author of the award-winning Harry Harambee’s Kenyan Sundowner and Evan Wycliff Mystery series and host, for the Get Published! Podcast. https://geraldeverettjones.com/

Useni Perkins, American poet, playwright, activist and youth worker, known for his poem “Hey Black Child”, and author of the newly released Kwame Nkrumah’s Midnight Speech for Independence from Just Us Books. https://blackchildjournal.com/

Moderator: Celeste Duckworth, Author, President of Vertikal Life Magazine, and host of A Taste of Ink LIVE Radio Program. https://vertikallifemagazine.com/

The BookFest Web: https://www.TheBookFest.com/ Books That Make You Web: https://www.booksthatmakeyou.com/ FaceBook: https://www.facebook.com/BooksThatMak… Instagram: https://www.instagram.com/books_that_…

NYC Big Book Awards Harry Harambee Silver in General Fiction

(October 27, 2021, Santa Monica, CA) The 2021 NYC Big Book Award just recognized Harry Harambee’s Kenyan Sundowner by Gerald Everett Jones in the highly competitive category of General Fiction as a Distinguished Favorite. This is the third award Jones has received for that novel, as well as the third he’s received for this literary fiction and two mystery-thrillers in this and prior NYC Big Book competitions.

Will it be politically disruptive? Kenyans vote next year.

Ten awards overall in the last two years include both Winner (Gold) and Distinguished Favorite (Silver) for his Evan Wycliff mysteries in the 2020 NYC Big Book, which accepts entries from not only indie authors and small presses but also the major publishing houses (the “Big Five”). Of his mysteries, the first in the series, Preacher Finds a Corpse, also won an Independent Press Award (IPA) Distinguished Favorite, Best Literary Fiction in the National Association of Book Entrepreneurs (NABE) Pinnacle Awards, and a Finalist Eric Hoffer Award. Preacher Fakes a Miracle won an NYC Big Book Silver in the same year, winning Jones the top two slots in the Mystery category. Previously, Harry Harambee’s Kenyan Sundowner was awarded Best Literary Fiction from NABE and Bronze in the Florida Association of Authors and Publishers (FAPA) President’s Awards in Adult Fiction.

Awards in 2020 included an Independent Press Association (IPA) Distinguished Favorite for Clifford’s Spiral in Fiction, as well as Eric Hoffer Finalist in Business for Jones’s nonfiction textbook, How to Lie with Charts.

The NYC Big Book competition is judged by experts from different aspects of the book industry, including publishers, writers, editors, book cover designers and professional copywriters. Selected award Winners and Distinguished Favorites are based on overall excellence.

Loosely based on Jones’s experiences living in Kenya for two years, Harry Harambee’s Kenyan Sundowner is the story of Harry Gardner, a lonely widower from Los Angeles, who makes the challenging transition from tourist and passive observer to committed resident. It’s an emotional story of expat intrigue in rapidly developing East Africa, reminiscent of The Heart of the Matter by Graham Greene and The Constant Gardener by John le Carré.

Desmond Boi, editorial writer for The Standard newspapers and Citizen TV in Nairobi has gone so far as to suggest that the book could be disruptive – in a positive way – among Kenyans. He writes: “Harry Harambee’s Kenyan Sundowner is a captivating, witty read that explores the sociopolitical climate in Kenya in an honest way that is both entertaining and thought-provoking. This is a clear and compelling outlook that realistically paints Kenya while exploring glaring issues that are a bane to the country. When Harry decides to stop being a bystander who lets other people decide his fate, it’s noteworthy. This can be equated to Kenyans finally deciding to take responsibility rather than just going with the flow, waiting for decisions that affect their lives to be made for them. And it can be done without selling one’s soul in the process and leave a legacy and a better country worthy of its name.” (Kenyan general elections are slated for August of 2022, and campaigning is already underway.)

2021 was a record year for the NYC Big Book Awards due to the high level of quality and diverse books submitted. Again in 2021, the competition received book submissions worldwide, including great submissions from journalists, well-established authors, small and large press as well as first time indie authors who participated in high numbers. Entries were from Africa, Asia, Australia, Europe, and North America. Cities such as Bangalore, Edmonton, London, Los Angeles, Melbourne, New York, Seattle, Singapore, and Vancouver were representative among the entries. Winners were recognized globally from Australia, Canada, England, Germany, Lebanon, Queensland, and the United States of America.

Among NYC Big Book entries, some awarded books were published by The American Bar Association, Friesen Press, Gatekeeper Press, Greenleaf Book Group, Joggling Board Press, Story Merchant Books, and WildBlue Press. Quality children’s publishers such as Barefoot Books as well as Mango and Marigold press were awarded. Independent presses such as Brill, Goff Books, Koehler Books, Llewellyn Publications, ORO Editions, Routledge Publishers, Rowman & Littlefield, and She Writes Press took both Winner and Distinguished Favorite awards. AuthorHouse, IngramSpark, KindleDirect, and SDP Publishing were among the self-publishing platforms. Lastly, Hachette Books, MacMillan, Penguin Random House were among the large publishers that entered.

“We are elated to highlight these authors’ books, recognize their excellence, and share their achievements.” said awards sponsor Gabrielle Olczak. “We look forward to showcasing these titles to a larger audience.”

Gerald Everett Jones remarked about his win, “I’m pleased to receive this recognition for ‘Harry’s’ story, especially in competition with the Big Five. My small press LaPuerta Books and Media has published all eleven of my novels, and I’m thrilled by the opportunities for self-expression that new media platforms provide. Storytelling is a unifying force among people and cultures, and I urge both writers and readers to stay focused on that bright, hopeful spot.”

Gerald Everett Jones is a freelance writer who lives in Santa Monica, California. He is a member of the Writers Guild of America, the Dramatists Guild, Women’s National Book Association, and Film Independent (FIND), as well as a board member of the Independent Writers of Southern California (IWOSC). He holds a Bachelor of Arts with Honors from the College of Letters, Wesleyan University, where he studied under novelists Peter Boynton (Stone Island), F.D. Reeve (The Red Machines), and Jerzy Kosinski (The Painted Bird, Being There). His author website is geraldeverettjones.com, and he hosts the GetPublished! Radio podcast.

Harry Harambee’s Kenyan Sundowner is published by LaPuerta Books and Media and available in trade paperback and ebook formats from booksellers worldwide, including Amazon, Barnes & Noble, Apple Books, Google Books, and Rakuten Kobo.

Third award just announced – NYC Big Book Distinguished Favorite in General Fiction.

Book Review: Silverview by John le Carré

Silverview is the last novel John le Carré (David Cornwell) completed before his death in December of 2020. It was just released in the US by Viking Penguin. The hardcover edition includes an Afterword by the author’s son Nick Cornwell, who is a writer himself using the name Nick Harkaway.

Silverview, the last spy novel by John Le Carré (Viking Penguin)

As my friends and fans know, I’m a longtime admirer of le Carré, and I believe that, to rate him as “The premier spy novelist of our time. Perhaps of all time” (Time), is an underestimation. In his novels, the spy story is a metaphor and a model for not only the geopolitical strife between nations but also the loyalties and betrayals between human beings – in their most intimate and personal transactions. I’d say William Boyd’s comment in The New Statesman comes closer: “We should see him as our contemporary Dickens.”

Two recurring themes in le Carré are that humans almost always betray their loved ones, and skilled spies (like readers) must be obsessively attentive close observers. By strewing hints, clues, and foreshadowing in narratives rich in dazzling but often extraneous detail, he teaches you not only how spies think but also how to read with critical intelligence, especially between the lines.

I’ll risk asserting that fans of le Carré will find nothing new in Silverview. But consider this a feature and not a flaw. If you’ve read and paid close attention to his other novels, you will be quick to recognize the suspicious cover stories, the simple and seemingly innocent methods of exchanging word codes and documents, and – at the core of all of it – the ways double agents double back on their professed loyalties, at the same time serving and betraying their countries, while twisting their personal lives and loves inside out.

As I say, recognizing these plot elements on first appearance may give you the satisfaction that you’ve aced the course at Sarratt, the Circus spy academy. Perhaps then you are ready to recognize, face up to, and deal with the loyalties and betrayals in your own life. I guarantee you will pay closer attention to what other authors are trying to express.

All this said, it will come as no surprise that I respectfully disagree with Nick Cornwell’s assessment of this book:

“… Silverview does something that no other le Carré novel ever has. It shows a service fragmented: filled with its own political factions, not always kind to those it should cherish, not always very effective or alert, and ultimately not sure, any more, that it can justify itself.”

I beg to differ. The close observer knows that John le Carré has been saying this all along.

Evan Wycliff mystery-thrillers have won five awards including both Gold and Silver in the NYC Big Book awards. The audiobook for the first in the series is available from Audible, iTunes, Google Play, and other distributors worldwide.

Thinking About Thinking #33 – The Girl on the Train – Does betrayal justify revenge?

There was such a buzz about The Girl on the Train, I couldn’t help myself. Especially since, after I’d downloaded the ebook sample, that Buy Now button was burning a hole in my digital wallet.

Yes, I was engrossed. But before you rush out to the e-store, be warned.

Right off, this is a book for and about women. The two male main characters – both thirty-something husbands – are strapping hunks of man-flesh. They exude charm and flash winning smiles. And they are both abusers. Several walk-on male characters are nicer, sort of metrosexual candidates. But one has a drug habit, another is a drunk, and the third is a spineless shrink.

The wives and ex-wives are smart but vulnerable, emotional sponges thirsty for guy-sweat. They spend a lot of their emotional energy in cat-fights with each other.

Okay, here’s the gist of it. The Girl on the Train is a chilling psychological drama centered – not on a love triangle, but a pentagon – or is it a hexagon? Anyway, the permutations and combinations don’t quite include the entire neighborhood.

Main character Rachel is recently divorced from Tom, who seems like a nice guy who just couldn’t put up with her drinking habit. (She had her reasons.) He’s now married to Anna and they have a new baby. The couple live in a the same bungalow where Tom and Rachel once thought they were happy. A few doors down, Scott and Megan seem like childless lovebirds. Megan occasionally babysits for Anna.

Although it’s been a while since the breakup, Rachel can’t help spying on her old house from the commuter train she takes to work in London every day. She occasionally catches sight of Megan and Scott lounging on the porch of their cookie-cutter cottage. She doesn’t know them well, but she develops a fantasy about their perfect relationship. It’s the relationship Rachel thought she had with Tom, a love now presumably lost.

It turns out that Rachel is more than casually curious about Tom and Anna. Rachel is a stalker. She phones him at all hours, she leaves notes at the house, and she wanders the neighborhood as she stares at the front door.

One night when she’s there, neighbor Megan goes missing.

A problem is – and it’s huge – when Rachel has been drinking she’s prone to mental blackouts. There are whole chunks of time – from minutes to hours – for which she has no memory. So combined with her guilt and self-loathing over her failed marriage, Rachel begins to wonder whether she’s been bad. Maybe really, really bad?

Like, maybe, did she somehow hurt perfect-housewife Megan? And what happened to Megan, anyway? Did she run off with a lover, or will they find her body in a ditch?

That’s as far as I’ll go. No more spoilers. But I’m just priming the pump. This is a big book, and, by turns, Rachel, Anna, and Megan tell their first-person stories.

Debut novelist Paula Hawkins knows her craft. At its basis, The Girl on the Train is an ingeniously twisted  mystery. It’s a woman-jeopardy plot with multiple victims. But, be warned, there are occasional bouts of intense domestic violence.

You might wonder whether this bestseller will be a movie, and apparently it will. DreamWorks has it in pre-production with Tate Taylor (The Help) to direct. Emily Blunt has been cast in the title role of Rachel. In the book she’s described as pudgy and somewhat homely. I guess Hollywood (UK office?) thought that was a bad idea. I doubt if the svelte Ms. Blunt will be donning a fat-suit or actually putting on weight for this role. Perhaps a touch less makeup, dear? [Update: The movie has been released.]

As I say, this is a big book, and what probably won’t make it to script or screen are Rachel’s agonizing internal monologues.

But what you will see, I can predict, is every one of those wife-battering fights.

Even more titillating to movie audiences than a good wartime firefight with semiautomatic weapons is to see some sweaty guy slapping his hot babe around.

  When no one else seems to care, Evan Wycliff wants to know why his friend died. Behind the sleepy life of a farm town in Southern Missouri, century-old plots and schemes play out.   Intrigue on the white sands of the Indian Ocean. A lonely widower makes the difficult transition from passive-observer tourist to committed resident.

Thinking About Thinking #32 – A Spool of Blue Thread – Can a house be the main character?

There’s a saying in show business: Give them a new story that’s stood the test of time. Anne Tyler, who is possibly America’s most revered living novelist, has done just that. She’s presented us with a new, fictional extended family with all their foibles and melodrama, and placed them in the setting we know well from so many of her books – in the community of Roland Park in North Baltimore and in a hand-crafted old home with varnished hardwood floors, meticulously hung pocket doors, and vaulted ceilings. The Whitshanks are a quirky, close-knit family of builders, craftsmen, and nurturers. And this house is their pride and joy. Its stately endurance through a family saga of three generations lends a sense of timelessness – but Tyler’s story is all about the passage of time and the influences our short lives have on each other.

Another time-honored Hollywood maxim: The main character grows stronger as his villain opponent becomes meaner and stronger. To her credit, Tyler not only ignores this rule, she defies it. This story has no single main character – unless it’s the house. And, as in all of her books, there are no vicious opponents. The engines of conflict whir almost entirely within the family. Adversaries that seem the most obnoxious, inconsiderate, and spiteful ultimately show us their redeeming qualities.

In every Anne Tyler novel there’s a conspicuous bad boy. In A Spool of Blue Thread, Denny shows up on the first page. And throughout the story, he’s obnoxious, inconsiderate, and spiteful. And he’s the one his saintly mom loves best, and eventually, we do, too.

Authors, your Hollywood agent or your book editor will tell you to raise the stakes to life and death. The dreary result is on-screen violence – shootouts, and fiery crashes, and bloody mayhem. But Anne Tyler quietly and bravely won’t go there. She gives us a no-fault auto accident and a sibling quarrel that ends with punch in the nose.

So how does Tyler do it? How by defying the rules does she engage us? Her narrative slows down to the pace of daily life. She gives us none of her own opinions, but a stream of meticulous detail about meals, clothes, woodwork, plants, weather, money problems, idle thoughts, and petty grievances. And in focusing the marvels of the mundane, she helps us appreciate the joys of living our own ordinary and wonder-filled lives.

  When no one else seems to care, Evan Wycliff wants to know why his friend died. Behind the sleepy life of a farm town in Southern Missouri, century-old plots and schemes play out.   Intrigue on the white sands of the Indian Ocean. A lonely widower makes the difficult transition from passive-observer tourist to committed resident.

Thinking About Thinking #31 – The Professor of Desire – Male-centered fiction – So yesterday?

Philip Roth is best known for his classic boychik lit coming-of-age story, Portnoy’s Complaint. Remember boychik is Yiddish for a young man with more chutzpah than brains. And, all of Roth’s novels since then seem to be about self-centered males who are thinly disguised extensions of his own fragile ego.

The Professor of Desire is the first-person confession of David Kepesh, an English professor like Roth himself, who obsesses, not about finding love so much as gratifying his urges without feeling too guilty.

We meet him as overprotected young man working in his family’s business. When he wins a scholarship to attend university in London, he has his first adult relationships with a pair of Swedish girls, Elisabeth and Birgitta. Ideal as the situation might seem for a man of his age and lusts, he’s miserable. Elisabeth moves out because he’s inconsiderate. Birgitta stays and is more than willing to please, but her eagerness turns him off.

Flash forward, and David falls for gorgeous supermodel Helen, who led a shadowy past life in Southeast Asia. Ignoring the fact that she must have left her heart there, he worships her, and they marry. One day, she leaves him abruptly for Singapore to take up with her former lover. And not so much because of anything David did or didn’t do, but because she simply doesn’t care enough about him.

Now entering his forties, David takes up with Claire, a sweet shiksa from New England, a caring, sensible woman, and the relationship is too good to be true. Just when David is beginning to suspect he can’t go the distance, his widowed father shows up all excited that his son will finally make a happy marriage.

We don’t get to find out. That’s where the book ends. The Professor of Desire was published in 1977, about the time activists like Germaine Greer and Gloria Steinem were redefining feminism. They were mostly successful inspiring a new generation of young women. But Roth seems to be stumbling around, muttering to himself about what it means to be a man. He really doesn’t have a clue.

I didn’t have a chance to include this comment in my radio podcast review, but revisiting this book decades later doesn’t bring any surprises about gender roles in today’s society. But what is striking is the ageism that becomes apparent in Roth’s work. At the end of the novel, David is about forty and his father is past sixty. Roth describes the older man as doddering, forgetful, and foolish. And David’s second-worst fear, after doubting his own worthiness as a companion for Claire, is that his father will die soon. If this book were written today, the portrait of the father would not be credible unless the man were in his eighties. Even then, many mature readers whose minds are still sharp would find the caricature of the senile dad distasteful.

  When no one else seems to care, Evan Wycliff wants to know why his friend died. Behind the sleepy life of a farm town in Southern Missouri, century-old plots and schemes play out.   Intrigue on the white sands of the Indian Ocean. A lonely widower makes the difficult transition from passive-observer tourist to committed resident.