Category Archives: Harry Harambee

Readers and Close Observers, Great Actors as Bad Actors

Here’s a spirited interview with author and show host Karina Kantas, who resides in the UK and writes some chilling stuff. We talked about Preacher Raises the Dead and Near-Death Experience, but we couldn’t help ourselves and the discussion included topics such as WWI in the Middle East, modern Kenyan culture and politics, strife in Ukraine, aftermath of Covid, controversial literary topics yesterday and today, writing from the subconscious, fiction as escapism and involvement… In short, What’s behind the pen?

Among many popular fiction titles, Karina is the author of Broken Chains.

Harambee Means “We Are One”

“Harambee” is the motto of post-Independence Kenya. The country was ceded from the British Empire in 1963 after a period of social unrest, which included the Mau-Mau Rebellion. A leader in that uprising was Jomo Kenyatta, who became the new nation’s founding president. His son Uhuru is the outgoing incumbent president, defeated by William Ruto in the election, just concluded last August.

Harambee – We Are One. E Pluribus Unum – One from Many.

May it be ever so!

He went as a passive observer. He stayed when they showed him how to live.

When I read some more of the Ong’wen book, I discovered a delicious (if troubling) irony. In the early years of Independence, harambee came to mean voluntary labor or donations for grass-roots projects. Then it became dues for electing local politicians. Now it’s a synonym for all manner of mandatory political bribes, extending to the highest levels.

Yes, that’s a side of Harry, too.

 

Book Review: A Prominent Kenyan’s Memoir and Daring Exposé

Just after the recent Kenyan national elections, a disruptive and revelatory book appeared: Stronger Than Faith: My Journey in the Quest for Justice in Repressive Kenya – 1958 – 2015 by Oduor Ong’wen. Just who is this author, and how does his life fit the provocative description in the book title? Prof. Yash Tandon, respected Ugandan policymaker who is renowned for a career opposing the viciously oppressive Idi Amin, wrote this about Ong’wen in the Introduction:

… In 2015 he [Ong’wen became] … the Executive Director of Orange Democratic Movement (ODM). The ODM is a centre-left political party – a grassroots people’s movement which was formed during the 2005 Kenyan constitutional referendum campaign and led by Raila Odinga, whose foreword to this book aptly captures the twists and turns of Kenya’s democratic struggles, at the centre of which Oduor was.

Do powerful interests in Kenya want to suppress this book? Why did it suddenly appear after the national elections? Is its fate safer now? Or potentially more disruptive?

Most striking in this voluminous memoir is Chapter 28, “The New Eating Chiefs,” which alleges more than twenty power-grabs, public thefts, and scams on Kenyan taxpayers by the outgoing administration. Lest these protests seem fake news promulgated by the defeated party, note that The Standard – the nation’s most respected newspaper in Nairobi – is serializing the book in its current issues – perhaps to counter fears that Ong’wen’s version of history will soon be suppressed by entrenched interests.

Kenyan politics – and geopolitics – interest me because before the Covid outbreak I was a resident in Kenya for two years, having gone there to support my wife’s work in wildlife conservation and child welfare. This residency occurred after years of trips between our US home and various ecotourism venues in East Africa.  Just before our decision to move there, the previous national election had taken place in 2017. The principal opponents for president were Uhuru Kenyatta, son of the first president and founder of the republic Jomo Kenyatta, and Ong’wen’s colleague Raila Odinga. Raila (Kenyans often use given names rather than surnames, even in formal writing) is a veteran politician with a reputation as a populist leftist. Uhuru is seen as more conservative and backed by entrenched interests. Uhuru, the incumbent, and Raila have been contending with each other for decades. Accusations of voter fraud have been common in Kenyan elections, but when Raila lost to Uhuru for the second time in 2017, concerns about corruption exploded as violence in the streets. Raila insisted so vehemently that the process was rigged that he held an “alternative swearing-in ceremony” in a public park, attended by a huge crowd.

If some of this sounds familiar, bear in mind that this cockeyed scenario in Kenya took place three years before the disruptive events of the 2020 US elections – well before many of my countrymen and I thought such events were possible here.

Parallels, although tempting, between US and Kenyan politics are not straightforward. Far from being an exemplar for our election-denying past president, in political philosophy, Raila might have been viewed as Kenya’s Bernie Sanders. And to make matters perhaps more confusing to Western observers, in 2018, after a year of prolonged disputes compounded by longstanding tribal unrest, Uhuru and Raila came together in what has since been termed “the Handshake Deal.” Besides affirming peace between the parties, the deal seemed to make his rival Uhuru’s new right-hand man – so much so that Uhuru must have agreed to back Raila for president in the next national election – which is just what he did in the one concluded in August.

So Raila was looking like he’d made a deal of either convenience or necessity with the establishment. His populist messages softened, but they didn’t disappear. Meanwhile, after another year, the third man at the top of the government – Uhuru’s deputy William Ruto – broke away from the ruling Jubilee Party and declared himself an independent.

Ruto, himself a political veteran who had previously held cabinet posts, had initially been groomed by Daniel arap Moi, the country’s long-serving president from 1978 to 2002, having served since Independence in 1963 as Jomo’s vice president. To this day, Moi is widely regarded by Kenyans as their most unashamedly corrupt leader. But in joining Uhuru’s government, Ruto disassociated himself from Moi.

In this last election, Ruto squared off against Raila. Ruto won by barely a percentage point. Raila once again cried fraud, but he nevertheless conceded after the Kenyan high court ruled his objections had no basis.

Raila recently pointed the finger at those responsible for his defeat:

Our election was not stolen by [Ruto’s coalition] Kenya Kwanza. It was an international conspiracy involving Britain and the United States. A former president of the USA who many Kenyans admired greatly was on [the] Smartmatic Board. (Raila Odinga quoted in Kenyan Lyrics, October 8, 2022).

So – here we are today – Raila is still an active voice in Kenyan politics and head of the Orange (ODM) party of which Ong’wen, author of this confessional book, is the director.

One might assert that Ruto’s hands are not clean. Since his swearing-in as the nation’s new chief executive, Ruto is acting like a reformer. Maybe he is one. Perhaps significantly, politicians from both the Moi and Kenyatta families lost their seats in Parliament.

But now Raila continues to spin the next installment of the conspiracy story. He keeps insisting that the vote was rigged against him. He further accuses Western powers of favoring Ruto over him, presumably because of Raila’s prior leftist positions. Raila is telling Kenyans that the world’s big-money interests want to manipulate the future of this fast-emerging economy, and he stands instead for regional control of resources and investment.

All during my stay there, I heard Kenyans in the coffee shops, taxis, markets – and especially when tongues let loose in the bars – repeat, “Corruption is the mother of Kenya.”

Now I live once again in Southern California, having returned just prior to the Covid outbreak.

Then in 2019, I began to look at the US political scene with Kenyan eyes. All the while, I have marveled at how fast economic development in Kenya is progressing. (And this is a factor in the persistent human-animal conflict that threatens the natural world everywhere and the health of the planet.)

I have speculated and still believe that Kenya is poised to become the Silicon Valley of East Africa.

With Ruto in place and the elections having been settled this time peaceably, I’d expect international investment there to boom. Apparently, the Biden administration concurs, as evidenced by the appointment of Meg Whitman, past CEO of Hewlett-Packard, as ambassador.

A fictional story of love, intrigue, conspiracy, and corruption in Kenya.

Thinking About Thinking: A Novel of Tomorrow’s Happy World

The Big Ball of Wax: A Novel of Tomorrow’s Happy World by Shepherd Mead. Here’s the cover of the Ballantine Books mass-market paperback I read back in the day. It’s now available on Kindle.

That’s the subtitle of Shepherd Mead‘s 1954 novel, The Big Ball of Wax.

Do you wonder – perhaps with trepidation and creeping anxiety – what the socioeconomic impacts of Virtual Reality (VR) might be?

Well, author Mead did that with painful humor back in 1954, before the maestro of Meta was even an embryo. Now that some are betting the high-tech farm on VR, perhaps we’d do well to take another look at this crusty tale.

It describes an invention that is See-Hear-Taste-Smell-Touch-o-Vision. Spoiler alert: Formerly thoughtful people check into cheap hotel rooms with no change of clothes and a bushel bag of uncooked rice, never to be heard from again.

Rehearsing brain surgery by VR seems like a sensible idea. But – wondering where your friends (or your kids) are because they’ve disappeared into an illusory fifth dimension?

Mead was also the author of another more popular cautionary tale – How to Succeed in Business Without Really Trying. I suspect some tech tyros are also unknowingly following that example, as well.

 

Book Review – Platform – Where are you going on vacation?

Kenyan national elections take place on Tuesday, August 9, 2022.

May wisdom and peace prevail!

I have a lot of respect for Michel Houellebecq as one of today’s foremost practitioners of literary fiction. I’d put Paul Auster in that category, as well. I’ve reviewed other novels by both of them in this blog. Another reason to read Platform was that its premise seemed comparable to my Harry Harambee’s Kenyan Sundowner – that is, an older, single, middle-class white man sets off on a vacation to an exotic resort where he expects he will find hookups and parties.

Houellebecq’s novel in French and English editions

There the similarity mostly ends. Platform’s protagonist, Michel Renault, is in his mid-forties. Harry Gardner is at least twenty years older. Both are men of comfortable means with time on their hands. Michel travels to Thailand, Gardner to the south coast of Kenya. Both places are widely known to provide the kinds of recreation these men seek.

But while Renault dives in up to his ears, Gardner holds back. Renault is a cynical, self-seeking libertine. Gardner is a well-meaning couch potato.

Houellebecq’s descriptions are raw and explicit, and his point of view is deliberately cynical. Both Michels – the author and the character – detest Western hypocrisy, arrogance, and exploitive capitalist drive. Harry and I focus more on the obvious corruption here and there – but with the hope that Kenya’s startlingly rapid emergence into the information age will ultimately be a better model of sustainability for the rest of the world.

Both characters become much more involved in the business enterprises of those countries than they had planned. Both stay. And both develop serious relationships.

It won’t be much of a spoiler to disclose that Platform’s view of the world is not hopeful. Houellebecq rants and scolds, and perhaps by being honest about his discontents he intends to drive the reader to at least question our geopolitical goals and methods. In Harry’s case, his new friends bestow on him a new surname – Harambee – which is the Kenyan national motto, meaning “We are one.” The meaning is much the same as our E Pluribus Unum, “One from many.” For Kenyans it represents the unification of 43 different tribes (ethnic societies) into one nation. (As of a few weeks ago, there are now 44. Kenyan-born Asians, mostly of Indian heritage, are now regarded as indigenous.)

Harry doesn’t know whether his friends are teasing him with this title, or honoring his newfound commitment to join their community.

Michel Renault plays the game to suit only himself. Later in the book, he says he’s learned to care for at least one other person, but then that illusion ends abruptly. Renault was never fated to find anything like happiness.

Harry’s outlook is ultimately hopeful. Eventually he has to ask, “Am I being played?” And then, “Do I mind?”

Bonnes vacances!

Harry Harambee’s Kenyan Sundowner is a captivating, witty read that explores the sociopolitical climate in Kenya in an honest way that is both entertaining and thought-provoking. This is a clear and compelling outlook that realistically paints Kenya while exploring glaring issues that are a bane to the country. When Harry decides to stop being a bystander who lets other people decide his fate, it’s noteworthy. This can be equated to Kenyans finally deciding to take responsibility rather than just going with the flow, waiting for decisions that affect their lives to be made for them. And it can be done without selling one’s soul in the process and leave a legacy and a better country worthy of its name. – Desmond Boi, Editorial Writer, The Standard and Citizen TV, Nairobi

I Found My Inner Child in My Third Eye!

This little guy’s name was Jerry and, as I recall, he was joyful a lot of the time. There were stresses in his young life, but they’d evaporate on encountering the next delight.

He was curious. He was studious. He was a chatterbox. He was a showoff.

He had a loud voice that became louder when he was excited. As he grew older his teachers rebuked him because that voice could be heard above all others in class.

So as the tween became a teen, his voice softened – so much so that at times adults had to prompt him to speak up.

It was years later he found his voice.

Watch for the audiobook release of Harry Harambee’s Kenyan Sundowner in January.

Thinking About Thinking #43: Sweet Bird of Not So Young Anymore

Photo by Georja Umano

What would you say to this surprise visitor?

Some of you who know of my recent adventures might think this candid shot was taken in East Africa. But it’s actually from a bit further back on a trip to the rainforest in Ecuador near the headwaters of the Amazon River.

I really don’t know what species this critter is, nor whether it’s male or female. Its relatively drab color might suggest it’s a mama, but its aggressive, perhaps territorial, move seems characteristically male.

Perhaps I should have asked whether it takes cream or sugar with its coffee.

Or whether “Nevermore!” (in Spanish?) might be the word of the day.

Clicking on the cover will take you to the Amazon Kindle catalog page. It’s also available lots of other places, including EPUB and paperback.

Books Out of Africa – BookFest Panel Discussion

Books Out of Africa Panel screenshot YouTube

Click the image to watch on YouTube

Watch it on YouTube!

Books Out of Africa: Bookish World Tour

The continent that gave birth to humanity delivers some of the most provocative and moving stories in our world. From non-fiction to fiction to poetry, with invigorating and moving perspectives from an array of authors and literary professionals, this panel discussion aims to create connections and stimulate imaginations. Join these literary leaders who tell the tales of the people, the place, and the continent that is Africa.

Dr. Edward Bynum, Ph.D., ABPP, Author of several books including the latest, Our African Unconscious: The Black Origins of Mysticism and Psychology, clinical psychologist, and former director of the behavioral medicine program at the University of Massachusetts Health Services. https://www.innertraditions.com/autho… Paulino Chol, Author of Leading the Lost Boys, the true story of leading 700 boy prisoners in South Sudan to freedom, and PhD student in management and homeland security at Colorado Technical University. https://machfoundation.org/

Gerald Everett Jones, Author of the award-winning Harry Harambee’s Kenyan Sundowner and Evan Wycliff Mystery series and host, for the Get Published! Podcast. https://geraldeverettjones.com/

Useni Perkins, American poet, playwright, activist and youth worker, known for his poem “Hey Black Child”, and author of the newly released Kwame Nkrumah’s Midnight Speech for Independence from Just Us Books. https://blackchildjournal.com/

Moderator: Celeste Duckworth, Author, President of Vertikal Life Magazine, and host of A Taste of Ink LIVE Radio Program. https://vertikallifemagazine.com/

The BookFest Web: https://www.TheBookFest.com/ Books That Make You Web: https://www.booksthatmakeyou.com/ FaceBook: https://www.facebook.com/BooksThatMak… Instagram: https://www.instagram.com/books_that_…

NYC Big Book Awards Harry Harambee Silver in General Fiction

(October 27, 2021, Santa Monica, CA) The 2021 NYC Big Book Award just recognized Harry Harambee’s Kenyan Sundowner by Gerald Everett Jones in the highly competitive category of General Fiction as a Distinguished Favorite. This is the third award Jones has received for that novel, as well as the third he’s received for this literary fiction and two mystery-thrillers in this and prior NYC Big Book competitions.

Will it be politically disruptive? Kenyans vote next year.

Ten awards overall in the last two years include both Winner (Gold) and Distinguished Favorite (Silver) for his Evan Wycliff mysteries in the 2020 NYC Big Book, which accepts entries from not only indie authors and small presses but also the major publishing houses (the “Big Five”). Of his mysteries, the first in the series, Preacher Finds a Corpse, also won an Independent Press Award (IPA) Distinguished Favorite, Best Literary Fiction in the National Association of Book Entrepreneurs (NABE) Pinnacle Awards, and a Finalist Eric Hoffer Award. Preacher Fakes a Miracle won an NYC Big Book Silver in the same year, winning Jones the top two slots in the Mystery category. Previously, Harry Harambee’s Kenyan Sundowner was awarded Best Literary Fiction from NABE and Bronze in the Florida Association of Authors and Publishers (FAPA) President’s Awards in Adult Fiction.

Awards in 2020 included an Independent Press Association (IPA) Distinguished Favorite for Clifford’s Spiral in Fiction, as well as Eric Hoffer Finalist in Business for Jones’s nonfiction textbook, How to Lie with Charts.

The NYC Big Book competition is judged by experts from different aspects of the book industry, including publishers, writers, editors, book cover designers and professional copywriters. Selected award Winners and Distinguished Favorites are based on overall excellence.

Loosely based on Jones’s experiences living in Kenya for two years, Harry Harambee’s Kenyan Sundowner is the story of Harry Gardner, a lonely widower from Los Angeles, who makes the challenging transition from tourist and passive observer to committed resident. It’s an emotional story of expat intrigue in rapidly developing East Africa, reminiscent of The Heart of the Matter by Graham Greene and The Constant Gardener by John le Carré.

Desmond Boi, editorial writer for The Standard newspapers and Citizen TV in Nairobi has gone so far as to suggest that the book could be disruptive – in a positive way – among Kenyans. He writes: “Harry Harambee’s Kenyan Sundowner is a captivating, witty read that explores the sociopolitical climate in Kenya in an honest way that is both entertaining and thought-provoking. This is a clear and compelling outlook that realistically paints Kenya while exploring glaring issues that are a bane to the country. When Harry decides to stop being a bystander who lets other people decide his fate, it’s noteworthy. This can be equated to Kenyans finally deciding to take responsibility rather than just going with the flow, waiting for decisions that affect their lives to be made for them. And it can be done without selling one’s soul in the process and leave a legacy and a better country worthy of its name.” (Kenyan general elections are slated for August of 2022, and campaigning is already underway.)

2021 was a record year for the NYC Big Book Awards due to the high level of quality and diverse books submitted. Again in 2021, the competition received book submissions worldwide, including great submissions from journalists, well-established authors, small and large press as well as first time indie authors who participated in high numbers. Entries were from Africa, Asia, Australia, Europe, and North America. Cities such as Bangalore, Edmonton, London, Los Angeles, Melbourne, New York, Seattle, Singapore, and Vancouver were representative among the entries. Winners were recognized globally from Australia, Canada, England, Germany, Lebanon, Queensland, and the United States of America.

Among NYC Big Book entries, some awarded books were published by The American Bar Association, Friesen Press, Gatekeeper Press, Greenleaf Book Group, Joggling Board Press, Story Merchant Books, and WildBlue Press. Quality children’s publishers such as Barefoot Books as well as Mango and Marigold press were awarded. Independent presses such as Brill, Goff Books, Koehler Books, Llewellyn Publications, ORO Editions, Routledge Publishers, Rowman & Littlefield, and She Writes Press took both Winner and Distinguished Favorite awards. AuthorHouse, IngramSpark, KindleDirect, and SDP Publishing were among the self-publishing platforms. Lastly, Hachette Books, MacMillan, Penguin Random House were among the large publishers that entered.

“We are elated to highlight these authors’ books, recognize their excellence, and share their achievements.” said awards sponsor Gabrielle Olczak. “We look forward to showcasing these titles to a larger audience.”

Gerald Everett Jones remarked about his win, “I’m pleased to receive this recognition for ‘Harry’s’ story, especially in competition with the Big Five. My small press LaPuerta Books and Media has published all eleven of my novels, and I’m thrilled by the opportunities for self-expression that new media platforms provide. Storytelling is a unifying force among people and cultures, and I urge both writers and readers to stay focused on that bright, hopeful spot.”

Gerald Everett Jones is a freelance writer who lives in Santa Monica, California. He is a member of the Writers Guild of America, the Dramatists Guild, Women’s National Book Association, and Film Independent (FIND), as well as a board member of the Independent Writers of Southern California (IWOSC). He holds a Bachelor of Arts with Honors from the College of Letters, Wesleyan University, where he studied under novelists Peter Boynton (Stone Island), F.D. Reeve (The Red Machines), and Jerzy Kosinski (The Painted Bird, Being There). His author website is geraldeverettjones.com, and he hosts the GetPublished! Radio podcast.

Harry Harambee’s Kenyan Sundowner is published by LaPuerta Books and Media and available in trade paperback and ebook formats from booksellers worldwide, including Amazon, Barnes & Noble, Apple Books, Google Books, and Rakuten Kobo.

Third award just announced – NYC Big Book Distinguished Favorite in General Fiction.

Ready to Escape to an African Adventure? (Shared from Article Rich)

Photo by Gabriella Muttone

This interview appeared recently on Article Rich and covers some of the in-country experiences that inspired the fictional story of my recent novel Harry Harambee’s Kenyan Sundowner. In this story, a middle-aged white widower from Los Angeles travels to Kenya. His character arc and challenges proceed from being a tourist and passive observer to a resident who must decide how much he’s willing to commit to his new community.

Click here to read the interview.

And if you can’t travel to Kenya just now, read the book!